Things Fall Apart (The African Trilogy, #1)
Things Fall Apart tells two overlapping, intertwining stories, both of which center around Okonkwo, a “strong man” of an Ibo village in Nigeria. The first of these stories traces Okonkwo’s fall from grace with the tribal world in which he lives, and in its classical purity of line and economical beauty it provides us with a powerful fable about the immemorial conflict between the individual and society.
The second story, which is as modern as the first is ancient, and which elevates the book to a tragic plane, concerns the clash of cultures and the destruction of Okonkwo’s world through the arrival of aggressive, proselytizing European missionaries. These twin dramas are perfectly harmonized, and they are modulated by an awareness capable of encompassing at once the life of nature, human history, and the mysterious compulsions of the soul.
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Chinua Achebe was a novelist, poet, professor at Brown University and critic. He is best known for his first novel, Things Fall Apart (1958), which is the most widely read book in modern African literature.
Raised by Christian parents in the Igbo town of Ogidi in southeastern Nigeria, Achebe excelled at school and won a scholarship for undergraduate studies. He became fascinated with world religions and traditional African cultures, and began writing stories as a university student. After graduation, he worked for the Nigerian Broadcasting Service and soon moved to the metropolis of Lagos. He gained worldwide attention for Things Fall Apart in the late 1950s; his later novels include No Longer at Ease (1960), Arrow of God (1964), A Man of the People (1966), and Anthills of the Savannah (1987). Achebe writes his novels in English and has defended the use of English, a "language of colonizers", in African literature. In 1975, his lecture An Image of Africa: Racism in Conrad's "Heart of Darkness" became the focus of controversy, for its criticism of Joseph Conrad as "a bloody racist".
Achebe's novels focus on the traditions of Igbo society, the effect of Christian influences, and the clash of values during and after the colonial era. His style relied heavily on the Igbo oral tradition, and combines straightforward narration with representations of folk stories, proverbs, and oratory. He also published a number of short stories, children's books, and essay collections. He became the David and Marianna Fisher University Professor and Professor of Africana Studies at Brown University in Providence, Rhode Island, United States. Achebe died at age 82 following a brief illness.
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Anthills of the Savannah
Chris, Ikem and Beatrice are like-minded friends working under the military regime of His Excellency, the Sandhurst-educated President of Kangan. In the pressurized atmosphere of oppression and intimidation they are simply trying to live and love – and remain friends. But in a world where each day brings a new betrayal, hope is hard to cling on to.
Anthills of the Savannah, Achebe’s candid vision of contemporary African politics, is a powerful fusion of angry voices. It continues the journey that Achebe began with his earlier novels, tracing the history of modern Africa through colonialism and beyond, and is a work ultimately filled with hope.
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A Man of the People
As Minister for Culture, the Honourable M. A. Nanga is ‘a man of the people’, as cynical as he is charming, and a roguish opportunist. At first, the contrast between Nanga and Odili, a former pupil who is visiting the ministry, appears huge. But in the ‘eat-and-let-eat’ atmosphere, Odili’s idealism soon collides with his lusts – and the two men’s personal and political tauntings threaten to send their country into chaos.
Published, prophetically, just days before Nigeria’s first attempted coup in 1966, A Man of the People is an essential part of his body of work dealing with modern African history.
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There Was a Country: A Personal History of Biafra
The defining experience of Chinua Achebe’s life was the Nigerian civil war, also known as the Biafran War, of 1967–1970. The conflict was infamous for its savage impact on the Biafran people, Chinua Achebe’s people, many of whom were starved to death after the Nigerian government blockaded their borders.
He took the Biafran side in the conflict and served his government as a roving cultural ambassador, from which vantage he absorbed the war’s full horror. Immediately after, Achebe took refuge in an academic post in the United States, and for more than forty years he has maintained a considered silence on the events of those terrible years, addressing them only obliquely through his poetry.
Now, decades in the making, comes a towering reckoning with one of modern Africa’s most fateful events, from a writer whose words and courage have left an enduring stamp on world literature.
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Arrow of God (The African Trilogy, #3)
Ezeulu, the headstrong chief priest of the god Ulu, is worshipped by the six villages of Umuaro. But his authority is increasingly under threat—from rivals within his tribe, from functionaries of the colonial government, and even from his own family members. Yet he believes himself to be untouchable: surely he is an arrow in the bow of his God? Armed with this belief, he is prepared to lead his people, even if it is towards their own destruction. But his people will not be dominated so easily.
Spare and powerful, Arrow of God is an unforgettable portrayal of the loss of faith, and the downfall of a man in a society forever altered by colonialism.